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We are Visceral
A full production studio delivering the very best in 2D & S3D VFX for the Giant IMAX Screen
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We’ve had the privilege of working with some amazing Clients
Our clients inspire us to push the limits of what’s possible in large format cinema. Because of this, our Clients are our partners – and we thank them.
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2D & S3D VFX
Our creative content is meticulously designed & created with a visceral touch, whether your giant-screen film is for a 2D or Stereoscopic 3D flat, curved, or dome screen exhibition.
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Opening Titles
We help set the tone for your giant-screen film by creating award-winning opening title sequences that fully immerse audiences from the moment the lights go out.
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End Credits
Our end credit sequences continue to engage audiences right to the very last minute of your film; even if the houselights go up prematurely.
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Pre-Visualizations
Previz (Previsualization; aka Animatics) allows you to visualize complex scenes in a movie prior to executing the final shot. We employ a variety of previz techniques to help guide, plan, and inspire ideas to pursue higher levels of quality and efficiency for our VFX shots.
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CG Animation & Compositing
Let our team combine their creativity with the use of 3D animation and computer graphics to help bring your message to life in a way you never thought possible -whether it’s a logo, a character, or graphics to illustrate a complex scene.
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2D/3D Conversions
We ensure 3D converted images exhibited on the giant screen more than exceeds the Director’s desire to truly immerse an IMAX®audience in the most natural, yet visceral way.
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"Visceral Image created probably the most ambitious single computer graphic title sequence ever produced for the giant screen - stunning!"
− Greg MacGillivray, MacGillivray Freeman Films
"Visceral Image created one of the most splendid displays of 3-D animation I've ever seen, and it's during the opening credits!"
− Quad-City Times on ``GRAND CANYON ADVENTURE 3D``
"“DREAM BIG” offers its fair share of visceral 3D thrills. There’s the rush of time-lapse swoops down paved thoroughfares and gasp-inducing glimpses of Earth from a space capsule. "
− - The Hollywood Reporter
"- Daily Variety"
− “DREAM BIG” immediately visualizes such notions via a rapturous 3D tracking shot out of, and then around, the International Space Station, a monument to innovation and collaboration that’s allowed us, for the first time in history, to actually see our world.
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